My husband and I spent last week at a most special weaving school and were introduced to the Vavstuga Way. Vavstuga was founded on the Swedish and Scandinavian styles of weaving and teaching, and offers a number of really cool workshops each year. We were there for Weaving Basics.
What is the Vavstuga Way? Well, by the numbers:
One excellent school, in two locations, in one small town in rural Massachusetts. One pretty river runs through the town.
One incredible teacher, Becky Ashenden. Becky is the founder and the heart, the soul, the electricity, the flame—choose your favorite metaphor to convey “life force”—of Vavstuga.
Eight students in a Weaving Basics course. Six women, two men, some very experienced, some completely new to the craft. All congenial and happy to be sharing the week together.
Five days of weaving, for 10 hours a day.
Eights looms. Four projects for each of us to finish—two towels, a small tablecloth, a wool throw.
Three times a day the bell rang, to announce yummy meals provided for us.
Swedish fiddlers—two; dancers—several.
Almost too many to count:
- Lovely handwoven items to use and learn from
- Choices of colors in threads of cotton, linen, and wool
- Tools and gadgets to purchase
- Books to peruse and inspire
- Mistakes made by students and fixed by Becky
- Confused looks during drafting lessons
- Aches and pains
- Doubts about finishing
- Sighs of relief at finishing
- Thrills at bringing our work home
The Vavstuga Way, by the impressions:
Maybe there are really two aspects of the Vavstuga Way. One is based on the use of a specific kind of Swedish loom and the details of using them—setting them up, adjusting them for ergonomics, weaving on them successfully.
My husband and I don’t have this kind of loom at home so some of what we learned will go unused.
But far more important than the specifics of looms and loom dressing is the other aspect of the Vavstuga Way. I see it as an attitude toward weaving.
I brought these lessons home:
- The equipment and materials should be treated with respect but not awe. We learned to be less obsessive about each tiny detail of weaving and to focus on the larger process—good technique, quality materials, solving problems in ways that work for each of us, and our individual styles.
- Natural is better. We used only the sorts of natural fibers that have been used for millennia—cotton, linen, wool—and to fully appreciate the qualities that have guaranteed that longevity.
- Simple is beautiful. We did some of the most straightforward kinds of weaving possible and used color and thoughtful, consistent weaving to make lovely items.
- Upbeat and energetic saves the day. Becky, our instructor, taught by example. Nothing fazes her; no mistake can’t be fixed; no frustration can’t be leavened with a quick joke and positive action.
- I will worry less in the future about weaving the “right way” and using my loom the “right way.” I feel much more willing to re-think my system, to see what works for me, and be creative about what doesn’t.
- What we make is meant to be used. We slept under handwoven coverlets, wiped our hands on handwoven towels and napkins. Every meal featured different handwoven table settings, each lovelier than the last. The curtains at the windows, as well as the tieback ribbons, the cushions on the benches, the rugs, our teacher’s clothing . . . all woven by hand, all being used with respect and enthusiasm.
Our intense week at Vavstuga is over and neither my husband nor I have touched a loom since we got home. But we spent much of the drive home and our time since talking about weaving, thinking about it, planning for more. And we’ve admired our work repeatedly!
And, of course, we are already thinking ahead, looking at the course listings for more advanced weeklong workshops, to continue our exploration of the Vavstuga Way.