Finally, Fusion Finished!

Have you ever wanted something real bad and then, when you get it, all you can do is sit and grin at it?

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I’ve been grinning at my finished fusion quilt for a couple of weeks now and I figure it’s time to share it with you. I know some of you will be happy to celebrate with me!

A brief re-cap of the project:

I started this quilt in autumn of 2017. As you may remember, I sell vintage linens on Etsy and, in handling my treasures, I often come across pieces that are too damaged to sell.

And, yet, these damaged items still have patches of perfection. A pillowcase may have a big hole in the middle but lovely crochet along the edge. Bugs may have chewed a hole in an embroidered and starched tablecloth but left other areas pristine.

I have never been able to throw these pieces in the trash. Over the years, I’ve piled up a ton of “pretties”—the perfect sections from otherwise useless linens. I always thought I’d find a project for them.

And then I read a post by Tialys, about an approach called a “fusion quilt,” which uses squares of fabric, sewn with batting, edged with blanket stitch embroidery, and crocheted together.

A quick trip to Pinterest gave me more inspiration and I knew I’d found the perfect vehicle for my precious bits of vintage linens, my pretties.

The quilt ended up with 108 5-inch blocks. I included bits from hankies, napkins, towels, tablecloths, and pillowcases. Most of the fabrics came from my special drawer, although friends started bringing me bits they found, too. My favorite square of all is the pink kitty from a decrepit crib sheet, given to me by a dear friend in my sewing group.

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In some cases, with sturdy pieces, I was able to layer the pretty piece with backing and batting, and just sew them and turn them inside out.

With very delicate hankies and such, I ironed the pretty into lightweight fusible web, to give it substance.

When my pretty had lacy or embellished edges I wanted to show, I layered in another piece of off-white fabric as a backing, stitching as much, or little, as I thought necessary.

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I sewed blanket stitch around each square, to serve as a foundation for the crochet.

For the crochet, I used 3/2-weight mercerized cotton from my weaving stash. It is a nice weight, has a pretty sheen, and doesn’t stretch. I did only double crochet, nothing fancy, because double crochet is really the only stitch I know how to do.

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I could have obsessed endlessly about the placement or the squares in the final quilt but I find I get bored with that easily. I did come up with a minimal plan, though, and then my cat rearranged everything for me. So, I ended up placing all the all-white blocks in the middle and then making a transition to borders of brighter-colored blocks at the edges.

After I had crocheted everything together (which didn’t take nearly as long as I feared), I did a row of single crochet around the whole outside edge and then went around again with good-old, reliable double crochet. (Truth be told, I used up hours of my life that I’ll never get back again, figuring out how to do a shell border that would fit tidily within the length of each square, then hated the way it looked.) I used a different cone of off-white cotton for that last border and it turned out to be slightly darker than what I had used for the rest of the quilt and I kind of like the look!

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If ever there were a project that would benefit from being done over again, right now, with the lessons learned fresh in mind, it is this one. I could point out a zillion little mistakes, from bad planning, from inexperience, from winging it.

But I won’t!

All those years, when I taught public speaking to college kids, I told them that Rule One was never to draw attention to any problems or negatives in their speeches. They were NOT to tell us their hands were shaking or that they had forgotten their note cards. Why? Because if the speaker didn’t draw attention to the negatives, the chances were excellent no one else would ever notice. But, if the speaker drew attention to the problem, no one would ever be able to look away . . .

And so, I will follow my own advice and not draw attention to the flaws in my quilt.

I will admit, instead, that I am very pleased with it and have even peeked into that drawer that holds the pretty pieces and thought that maybe, someday, I would start another fusion quilt.

Heaven knows, I have the pretties. And the quilt fits perfectly on a twin-size bed . . . and I have two of those.

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Doing Sew Sew

Such a busy time of year!

Nothing profound, nothing deep, or exciting. Lots of time outside, planting and weeding, sanding and painting. Lots of time inside, organizing and cleaning, ironing and crafting.

And in my pile of vintage linens, I came across this piece and thought you’d get a kick out of it.

Isn’t she lovely?!

Hand Quilt Along: Women’s Rights

On November 8, 2016, I watched our US election returns, fully expecting that we would be welcoming our first woman president.

As I watched, I embroidered on this block, with the words of the woman I was sure would be that president.

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I was stunned, horrified, and so, so disappointed when things worked out so differently, so cataclysmically wrong.

Disheartened, I stopped working on the quilt for a while but eventually knew that I needed, perhaps more than ever, to finish it.

And through the intervening two years, it’s given me some comfort to work on this. New women leaders have emerged while established standard bearers, including Hillary Rodham Clinton, continue to work toward keeping America America.

I admire Hillary Clinton. Nancy Pelosi. Elizabeth Warren.

I admire Kamala Harris and Kirsten Gillibrand and Alexandria Ocasio-Cortez, and the other newly-elected women in government, every one of them, and Stacey Abrams and so many others.

I admire the women of Planned Parenthood and the ones who march for women’s rights, and women doctors and scientists and authors and artists, and every woman who has found her own way to say, “I am. I want my human rights.”

And, of course, I also admire the women who have found ways to express themselves when their expressive options were limited. And that brings us to my other quilt-in-progress.

I’ve started crocheting together the fusion squares.

I spent some time laying the squares out in patterns on my bed, trying to decide what worked. But I have almost no patience for that kind of work.

So I settled for a layout that put the all-white squares in the center, with more colorful ones bordering them. I stacked the squares up in order and had a plan, minimal though it was, and tucked all of the squares into a safe cabinet so I could take them out in order, to crochet.

The next day, I found that one of the cats (I’m looking at you, Gigi!) had finagled her way into the cabinet and wreaked havoc with my plan, minimal though it was. The squares were tossed every which way.

So, we’ll just have to wait and see how this turns out!


This Hand Quilt Along is an opportunity for hand quilters and piecers to share and motivate one another. We post every three weeks, to show our progress and encourage one another.  If you have a hand quilting project and would like to join our group contact Kathy at the link below.

KathyLoriMargaretKerryEmmaTracyDebConnieSusan,  Nanette,  EdithSharonKarrin, and Gretchen

Hand Quilt Along: On the Road

Sand and suntan lotion and a trip far from home do not lend themselves to hand quilting on a big unwieldy project.

And that is why hand quilters always need a portable project to tote along!

While my women’s rights quilt languishes at home, cold and alone, my fusion squares are enjoying a vacay.

And they are proliferating. At last report, I had finished 54 of these 5-inch squares. I have now finished 97, plus I have 12 more on this trip with me.

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I have woven in all the crocheted ends and blocked the crochet trim on all the squares.

I am feeling like this project might be reaching its logical next step—the crocheting together of  all ochocino-neuve-jillions of squares into one big square, to be known as THE Fusion Quilt. 

I have so many gorgeous bits–some are subtle, some are sophisticated, some are splashy, some are very “loving hands at home.” I love them all.

Does this mean I have used up all the scraps of vintage prettiness that spawned the project?

Not, it does not.

I have dozens more 5-inch squares that may, one day, be incorporated into another quilt. 

But, for now, I’m going to wash the suntan lotion off my hands, stick my feet in the white sand, and sew in the sun. And get ready to finish this project!


This Hand Quilt Along is an opportunity for hand quilters and piecers to share and motivate one another. We post every three weeks, to show our progress and encourage one another.  If you have a hand quilting project and would like to join our group contact Kathy at the link below.

KathyLoriMargaretKerryEmmaTracyDebConnieSusan,  Nanette,  EdithSharonKarrin, and Gretchen

Of Making Hay and Glamour Shots

As the daughter of a dairy farmer, one phrase has always had great meaning to me: “Make hay while the sun shines.”

We needed hay to feed the cows during winter. But wet hay, that which had been rained upon, would moulder in the haymow or, worse, could spontaneously combust, burst into flames–the last thing one wants in a barn.

So, we watched the weather and did as the proverb told us—grabbed the sunny days, put other chores aside, and brought in the hay.

Now I am equally aware of sunny days but I grab them for a different purpose.

Now my motto is, “Take pix when the sun shines.”

I’ve been selling vintage linens on Etsy for over 8 years and probably the single most important aspect of that is good photos. And good photos of vintage linens, or anything, really, depends on natural light.

When I initially get the linens I sell, they are often in pretty unappealing shape. I’ve written elsewhere about my whiz-bang techniques for getting out stains and brightening up the linens.

But the rest of the process is equally important. 

When I get a sunny day, I approach my linen photos as glamour shots. 

Do you remember glamour shots from the 1980s and 1990s? Was that only an American thing? Women would get a makeover, with big hair, lots of dramatic makeup, some glittering jewels or maybe a feather boa, and a professional photographer would employ soft lighting and maybe a bit of blur or air brushing to create the glamour. 

I never had my glamour shot taken, but my linens get them regularly!

First, I iron; that’s the makeover part. I’m always surprised, when I go looking at the other listings on Etsy for vintage linens (or even more so on eBay) how many sellers don’t bother to iron! The ironing might be my favorite part and certainly it transforms the linens from bedraggled to beautiful.

Then I find a sunny window, where there’s good light that doesn’t shine directly on the table I’m using.

The combination of a sunny day and the light shining just right in a window is a tough one here, in the winter.

I usually take 15-20 photos of each set of napkins or tablecloth or hankie. I can use up to 10 of those photos in an Etsy listing. 

After all these years of doing it, I have a sort of routine. First, the boring photo of the full item.

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This one will be the last of the 10 photos customers see. If the item has any flaws—a tiny hole or a noticeable spot, I take photos of those, too. 

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I take extreme close-ups if the item has amazing detail, like hand embroidery or fancy lace. 

I take photos of different angles, trying to catch the beauty of the fabric and colors.

Damask linen, which has a tone-on-tone design woven into the fabric, can be the most difficult to photograph well—it can just look like plain old white cloth.

Early on, I read on the internet that, to capture the beauty of damask linen, one needed “strong, raking light,” or light from a deep angle, which can reveal texture. 

So, I stalk around the table, bending low, moving the item slowly around, until the pattern emerges, until the lush sheen of the linen and the flamboyant damask design of mums or roses or fleurs de lis show to advantage. 

I love this process and can get WAY too caught up in it, spending 20 minutes trying to get the perfect photo of something I’ll be selling for eight bucks. 

Like my farming forbears, I watch the forecast and look for sunny days. I set aside other obligations and plans for those days and use them for taking Etsy photos. In mid-January, we had two sunny days in a row and I took over 425 photos.

I see now that Monday will be sunny and you know what I’ll be doing . . . making hay taking glamour shots of napkins!

Hardanger Hijinks

There’s a new stitch-along in town.

Kathy, at Sewing, Etc., is doing tutorial on how to work hardanger.

Hardanger is a special needlework technique that combines embroidery and drawn thread work. You embroider and cut, embroider and cut, all while hyperventilating and hoping you don’t cut too much or too far.

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From Kathy’s blog–see how she’s cutting those threads? Eek.

I’ve seen a lot of hardanger in my years of selling vintage linens and am fascinated by the technique but I told Kathy I wasn’t going to participate in her stitch-along.

And then, you know, she posted the first instructions in a tutorial.

And I said, what the heck.

I whipped out some pretty blue linen I just happened to have on hand—not too fine cuz I’m new to this—and some white thread and I just took the plunge.

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It went pretty well, don’t you think?

I made two placemats then got bored with the pattern so I made two more with a different pattern.

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Then I thought, well, who wants a set of four placemats when six is within reach and I just dashed off two more in yet another different pattern.

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I’m darn good at this, huh?

And then, since I had more fabric left and I was feeling frisky, I stitched up a cute little apron.

I am the queen of hardanger.

Wait . . . why are you looking at me like that? As if you doubt me? Don’t believe me?

I can see what you’re thinking. You’re thinking, “Really, Kerry??”

NO!

Not really! Ha.

Of course I didn’t make these pretty things. They were part of a stash of vintage linens I got recently. According to a handwritten tag attached to them, they are Danish.

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But they are a beautiful example of the hardanger techniques. You can see how the white embroidery frames and secures the background cloth so that threads of that blue cloth can be cut and removed to create the classic look.

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So, no. I’m not joining this stitch-along. I have plenty to keep me busy and feeling stressed without adding another deadline to my life. But I’ll follow along, watching the progress made by others, and offer my pretty vintage hardanger as inspiration.

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